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You’re Choosing Your Chandelier Too Late

You’re Choosing Your Chandelier Too Late - Residence Supply

Kennyatta Collins |

Most Rooms Are Designed Backwards From the Start

There's the room you have, and then there's the room you make once you add a chandelier. 

Too often the decision to get the chandelier comes in last, behind the sofa, behind the rug, even after the paint color has been lived with long enough you don't even notice the feeling it gives you anymore. Some people think of a statement lighting fixture like punctuation, something to just finish the room or fill the ceiling to justify how high it is. And while that train of thought is logical if you walk it down, its also why many rooms still feel void of any personality, even if they feel "complete." 

A chandelier chosen last is a chandelier chosen defensively; it'll match, it'll fit, but it'll also be an item you forget about in the room three months later. 

How the Best Rooms Are Built Around Light First

The rooms that live with you the most and carry the greatest memories were often the rooms designed the other way around. Someone usually decided on the light fixtures first, or at least early enough that everything else would orient itself around it. The table was placed where the light would land best. The chairs were chosen for how they'd look when the fixture would shine and change the room's feeling after a long day at work.; the whole space was organized around this center of gravity that just happened to hang from a ceiling. 

That kind of difference is monumental. Choosing your light fixtures intentionally is the difference between a functional room, and a room that makes you feel something. 

Why a Chandelier Changes a Room More Than Anything Else

Chandeliers are special because they do what no other fixtures can, and that's primarily because of where it lives in a home. Chandeliers occupy the one plane of a room nothing else touches. Your floor has furniture, your walls have art, shelves, and the accumulated evidence of life. However, ceilings are empty and chandeliers are the only objects that claim that space with dramatic confidence and uses it to shape everything below it. It determines the height of the room not just architecturally, but also psychologically. A chandelier that's hung low over a dining room table for example, makes the table more intimate by default.

Another specialty of the chandelier is its ability to command both light and shadow. A good chandelier creates intentional shadows as it cascades light where you desire it to. And it's the shadows that gives a room depth, dimension, and its sense that there are places in the room worth discovering. If you take that away, the rooms may still be pleasant, but they'll be equally forgettable. 

Why Material Choice Matters Most in a Chandelier

When choosing a chandelier, you have to know materials will matter here, maybe even more than other places in the home because it's such a focal point. Whether people see it directly, look at it peripherally, or continuously, they will look at it for years. Materials like brass and blown glass will always give you peace of mind when making your final decision. Brass has the beauty of maintaining or improving its impression as it ages because of its patina. As its color changes, its ability to hold evening light and play with the perception of warmth in the room will forever carry a distinctive magic for its audience. Blown glass can diffuse, it can shape light, and it can give you different visual delights depending on the direction you're enjoying the fixture from. 

What you end up feeling with the right chandelier is everything the chandelier is doing to everything else in the space: to the tables, the faces of the people around it, the glasses at the table, the quality of the conversations that now feel easier to do in this room than in others. 

What the Right Chandelier Does to Everything Around It

Long before electricity made light cheap and even before recessed lighting made it invisible at times, the chandelier was the solution to a very ancient problem: how do you make people feel like they are somewhere, together, on purpose?

The answer was simple. You give the room a heart, you hang it from the ceiling where everyone can see it, and then you let it do what it was designed to do; make the people beneath it look like they belong there.